Animaux | UK

Dixon & Âme – All Night Long – Albert Hall, Manchester.

Mar
26

Although both Dixon and Kristian Beyer (one-half of Âme) are very well known for their individual work, it’s hard to talk about either of them without mentioning Innervisions. Now in it’s eleventh year the label has grown to become one of the most talked about and innovative institutions in the industry. Since breaking away from Sonar Kollektiv Dixon, Beyer and Frank Wiedmann,­ the other half of Âme,­ have slowly, and not so quietly established the label as a beacon of quality in a saturated digital world. Their simple approach to their work, placing quality above all, has clearly paid off, with Dixon topping the resident advisor DJ chart three years running, and Âme (Beyer) in the top twenty in the last four, they have developed a solid pedigree. So when I discovered the Warehouse Project was bringing them to Manchester, I needed about as much persuasion to get tickets as a dog eyeing up an unattended burger stand.

More recently Innervisions have become known for their ‘Lost in a moment’ parties, a concept which has hosted some of the most unique, and perfectly crafted events on the industry calendar. ‘Lost In A Moment’ is all about finding that sweet spot where everything at a party clicks; location, sound system, music and lighting. Now I know it can’t really be said that The Albert Hall is not different compared to many other venues out there, it’s a four-story gothic chapel after all, but it is in danger of seeming run of the mill to a collective who are used to holding parties on their own island (Osea Island). Nevertheless, the atmosphere is gripping as we enter the main hall. The floor and upper tier are filling up with an excited looking rabble while the Innervisions pair gear up for what is sure to be a night of palpable emotion and energy. The stage is framed by the huge, century-old organ towering high above them, which seems to be pumping out the music with an almost demoniacal efficiency.

As we enter its Dixon who is in control, moulding the mood, his famous brand of melodic, brooding music, softly washing over everyone. With impeccable subtlety, the gentle harmonious tracks coerce our attention away from the bar to the stage. A slick lighting set up pulsates into view, greeting those arriving with lush vibrant orange and blue rays. His his first stint comes to an end and the headphones are casually passed to Kristian, the crowds movement starts to synchronize with the beat, the room submitting to their spinning wizardry. Kristian steps in, providing a new sense of urgency to the starting pace set by Dixon, his masterfully picked techno starts to reverberate round the room to a chorus of whoops and hollers. The crisp punching kicks are layered over and under with haunting dark distortion that gradually increases over the next 45 minutes, building in intensity. We’re 3 hours in and already it’s pretty clear, the German masters have no intention of slowing down, quite happy to leave a good many people around me in a state of hypnotised anticipation.

As the next few hours flowed over us, Beyer and Dixon casually rotate every 45 minutes or so, always with a few words of intent into the others ear. The energy still continues to build, Beyer coming in with the injections of heavier, driving techno, fueling the throng of bouncing heads oscillating up and down, with military precision. Dixon moves in again, black cargo pants tucked into heavy black boots, it looks for a second like an army is drilling in front of its stern unflappable leader. He uses Beyer’s change of pace to weave in his felicitous beats, no doubt bespokely edited to fit exactly where he wants them. He cements the atmosphere with a newly flourished vehemence as track after track of pounding techno permeates everything in the ex-methodist church shelter.

Unable to pinpoint exactly where the time has just gone the night draws towards its ultimatum. In the last hour and a half, we are emotionally dragged between hair-raising hand in the air build ups riddled with feverish anticipation, and colossal mind mincing drops that smack a look of ecstatic perplexion onto everyone’s faces. All except Dixon whose steely demeanour is replaced with a sly, cheeky grin. Gradually the house lights begin to brighten, the organ is bathed in a diffuse deep orange light, the inky shades of night artificially turned to dawn. Dixon, sympathetically switches the pace to an ethereal chorus, chiming around a lingering bassline which slowly fades out, leaving the room to revel in the contented afterglow of what has been, simply a special night.

Zutekh Presents: Ricardo Villalobos, at Gorilla

Mar
14

It’s the first time since 2012 that Ricardo Villalobos has graced the damp streets of Manchester with his world-renowned minimal magic. So it’s with heavy anticipation that I approach the entrance to Gorilla and descend into it’s dark steamy underbelly. It’s about half eleven and already the place is being filled with an eager looking crowd. A lively warm up set from Zutekh’s, Daniel ‘Quixano’ Henriques fuels the building energy, as the room steels itself for a night that many have waited too long for . As the floor begins to fill up the atmosphere is one of anxious anticipation, it’s tight but there is space to manoeuvre. Space which is being utilised to the full by the white leather jacket in front of me, who seems intent on teaching anyone who will listen how to slut drop.

Photo by Gemma Parker Photography

In what seemed like no time fellow Chilean DJ Umho, with a face dominated by a wide cheeky grin, takes over the decks. Since playing alongside Villalobos at Cocoon, Amnesia in 2009 Umho has spent the last six years spreading his spellbinding minimal tech sets all over the world, in a style he calls “groove travelling”. He warms up the scene well, moving away from the more hard-hitting tech house, settling the show into a much more subtle, elegant sound, caressing the amassed with warm kicks and euphoric melodies. The set continues to maraud through the night, gathering a steady momentum that charges the room. The strip lighting and well refined sound system – kudos to Zutekh – start to come into their own, delivering an enthralling and engaging wave of atmospheric bliss.

The scene is set perfectly, as a blast of appreciation from the crowd heralds the return of the maestro himself, the four-year wait is quickly forgotten as the humid energy reaches fever pitch. The intimacy of the night takes hold, an international headliner playing to 700 people, as the four to the floor techno kicks whip the crowd into a cluster bomb. Villalobos floats the vocals from C’hantal ‘The Realm’ over the driving melody of ‘Hows Your Evening So Far?’ Josh Wink & Lil Louis, masterfully moulding the crowd into one giant restless wave. Constantly keeping the crowd in limbo between recognition and uncertainty, unable to identify seemingly familiar tracks I was never really certain of what I was hearing.

The effect was completely hypnotic, I found myself craving each change in bassline or key, just desperate to hear what he was going to do next. Momentarily the trance was broken as the crowd respond to Josh Wink’s ‘Higher State of Consciousness’ with outstretched arms and a bellow of appreciation. A spectacle which, over three and a half hours became something a ritual, as Villalobos with a deep, devious grin on his face filled the room with resounding, unrestrained techno, from all corners of the globe.

Photo by Gemma Parker Photography

Heading home, out in the inky early morning dampness, I was more than impressed with everything the night had to offer. Both of the Chilean spinners held nothing back, and looked like they were genuinely enjoying themselves as much as everyone else. Zutekh didn’t put a foot wrong either, providing a good sound system and creating a captivating atmosphere, without overfilling the venue. Lets just not leave it another four years ey?

Check out Zutekh’s Facebook page for more events!

Sankeys Spring 2015 Lineup Announced

Feb
19

The Manchester institution continues to celebrate it’s 20th anniversary with a new run of shows spanning the Easter and May bank holidays. The season starts off with a bang; the opening weekend (3rd and 4th of April) being hosted by Tribal Sessions and Haçienda, respectively, including sets by Todd Terry and 808 State.

Appollonia

Appollonia

Further down the line, highlights include sets by Nina Kraviz, Appolonia and Cosmin TRG in addition to the MAMMOTH Red Bull Music Academy takeover on April 17th featuring Derrick May, Surgeon, Happa and Acre. Not to be missed.

For the full listing, hit up www.sankeys.info
Tickets for all events available on www.skiddle.com