It would have been hard to find The Pickle Factory if we weren’t looking for it. Its anonymous façade artfully conceals the many wonders that lie beyond the sound-proof doors, squeezed between the street and a modest tower of stacked shipping containers. The Pickle Factory, I am told, used to be an actual pickle factory back in the days, stoking the wild fantasies of many pickle enthusiasts. It’s glorious pickle days came to an end some time later when the building was converted into a medical supply storage. Eventually, the building found its true calling when Oval Space — the iconic East London music venue — carved out of a derelict storage facility the slick and intimate venue that it has now become.
Sometime in 2013, Oval Space took over the neighbouring used-to-be pickle factory envisioning a polished, fresh, and cosy environment; a welcoming nook in the grimy, punchy skyline, dominated by the towering gasometers of Bethnal Green. The venue was specifically designed to deliver unrivalled sound quality and clarity. Stripped of visual tinsel of any sort, at The Pickle Factory the spotlight shines on the sound system as warm, curvy bass lines and limpid highs wash through the minimalist room. The unrivalled sound quality is complemented by the venue’s impressive booking policy. Indeed, The Pickle Factory can boast amongst its guests some of the most interesting names in contemporary electronic music. Up-and-coming event brand ‘Tessellate’, brings to The Pickle Factory, London non other than Konstantin Sibold of Innervisions.
“Konstantin Sibold (Innervisions/Caramelo) [All nacht long]” read the RA event description. And indeed, as commanded by a longstanding German tradition, Konstantin Sibold thumped the dance floor for seven long hours until the crack of dawn. Known for becoming Stuttgart’s club Rocker 33 youngest resident in 2009, Konstantin Sibold was newcomer of 2013 for Groove Magazine and is widely appreciated as an innovating force across the spectre of electronic music. With Mr. Sibold, techno and house meet as if for the first time; brushed by indie and disco, his sets reinterpret the intersection of these genres in a distinctively fresh, full-of-life way.
The format at The Pickle Factory, seven hours of Sibold and only Sibold, met exceedingly well with his style, allowing for a thorough induction to the sounds that define Konstantin Sibold as an artist and a music lover. The marathon-set allowed for a nuanced understanding of Konstantin Sibold’s work, highlighting the unity of his style: eclectic, one could say, when contrasted with some of his colleagues’ lengthy sets. Heavily indie-influenced, the set alternated fuzzy, dazing tunes and thumping beats: and the crowd faded into a subsided lull, only to rise in frenzy again, as if rhythmically breathing with the set. Disco also made occasional appearances, much to the audience’s delight. Indeed, if you needed further proof of disco’s resurgence, Konstantin Sibold at The Pickle Factory would probably have convinced you. Masterfully weaved into the fabric of the set, its joyfully forceful entrances stoked boys and girls alike, and the crowd devoured any tune that would only just hint a 70s resemblance.
Leaving our beloved Pickle Factory, the clear blue sky slowly drifts from a deeply intense blue to a glowing pastel azure, against the suggestive post-industrial relics of East London. Bathed in the dawn’s chilly wind, I make my way back through the shuttered gentrified streets leading to Shoreditch. All in all a fantastic night! Special thanks to Konstantin Sibold and the guys at Tessellate!
Konstantin Sibold will next play in his hometown, Stuttgart, on the 23rd of February at Kraftwerk Rottweil. Check out his schedule HERE.
Tessellate returns to Corsica Studios in London with: Space Dimension Controller (Clone / R&S), Murat Tepeli (Potion/OstGut Ton), Dorisburg (Aniara / Bossmusik), and residents on the 12th of March. Check it out HERE.